Waubonsee Community College

Arranging Gershwin, Rhapsody in blue and the creation of an American icon, Ryan Raul Bañagale

Label
Arranging Gershwin, Rhapsody in blue and the creation of an American icon, Ryan Raul Bañagale
Language
eng
Bibliography note
Includes bibliographical references (pages 196-200) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Arranging Gershwin
Nature of contents
bibliography
Oclc number
872562066
Responsibility statement
Ryan Raul Bañagale
Sub title
Rhapsody in blue and the creation of an American icon
Summary
In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements--an emerging and insightful realm of American music studies--as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America--its people, their pursuits, and their processes [Publisher description]
Table Of Contents
Introduction : arranging an icon -- Complex compositional origins : Ferde Grofé and Rhapsody in blue -- Living legends : George Gershwin and Rhapsody in blue -- From camp to Carnegie Hall : Leonard Bernstein and Rhapsody in blue -- Rearranging concert jazz : Duke Ellington and Rhapsody in blue -- "It ain't necessarily so" : Larry Adler and Rhapsody in blue -- Selling success : visual media and Rhapsody in blue -- Epilogue : arranging on multiple levels
Classification
Content
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