Waubonsee Community College

Examples of Gregorian chant and other sacred music of the 16th century, Compiled by Gustave Fredric Soderlund and Samuel H. Scott

lat

libretto or text

"Sources, commentary, and translations": pages 294-303

chant christian

full score

not applicable

Examples of Gregorian chant and other sacred music of the 16th century

2369385

Compiled by Gustave Fredric Soderlund and Samuel H. Scott

EXAMPLES OF GREGORIAN CHANT: Kyrie (Dorian) -- Alleluia (Dorian) -- Communion (Dorian) -- Offertory (Hypodorian) -- Kyrie (Phrygian) -- Sanctus (Phrygian) -- Kyrie (Phrygian) -- Alleluia (Phrygian) -- Response (Hypophrygian) -- Sanctus (Lydian) -- Agnus Dei (Lydian) -- Antiphon (Lydian) -- Gradual (Lydian) -- Communion (Hypolydian) -- Antiphon (Mixolydian) -- Gradual (Mixolydian) -- Offertory (Hypomixolydian) -- Introit (Hypomixolydian)EXAMPLES OF 2 VOICE COUNTERPOINT: 12 cantiones daurum vocum / Lassus -- Missa ad imitationem moduli Puis que i'ay perdu. Gloria / Lassus -- Missa ad imitationem moduli O passi sparsi. Gloria / Lassus -- Missa super Frere Thibault. Credo / Lassus -- Missa ad imitationem moduli Doulce memoire. Credo / Lassus -- Missa Da pacem. Credo / des Pres -- Missa Mater Patris. Sanctus / des Pres -- Missa super Frere Thibault. Benedictus / Lassus -- Missa l'homme arme. Benedictus / des Pres -- Missa ad fugam. Benedictus / des Pres -- Missa Mater Patris. Benedictus / des Pres -- Missa Di dadi. Benedictus / des Pres -- Miss La sol fa re mi. Agnus Dei / des Pres -- Missa Mater Patris. Agnus Dei / des Pres -- Missa da Beata Virgine. Agnus Dei / des PresEXAMPLES OF 3 VOICE COUNTERPOINT: Magnificat Primi toni. Et misericordia ; Magnificat Tertii toni. Et misericordia ; Magnificat Quinti toni. Et misericordia ; Magnificat Sexti toni. Et misericordia / Palestrina -- Magnificat Tertti toni. Et misericordia / Victoria -- Magnificat Secundi toni. De posuit potentes ; Magnificat Quarti toni. De posuit potentes ; Magnificat Octavi toni. De posuit potentes / Palestrina -- Magnificat Secundi toni. De posuit potentes ; Magnificat Septimi toni. De posuit potentes / Victoria -- Missa Jam Christus astra ascenderat. Credo ; Missa Spem in alium. Credo ; Missa Repleatur os meum laude. Credo ; Missa Inviolata. Credo / Palestrina -- Missa ad imitationem moduli Susanne un iour. Credo ; Missa super Le berger et le bergere. Credo / Lassus -- Missa de Beata Virgine. Credo / Morales -- Missa de Beata Virgine. Sanctus ; Missa ad fugam. Sanctus ; Missa Aspice Domine. Sanctus / Palestrina -- Missa ad fugam. Sanctus / des Pres -- Missa Brevis. Benedictus / Palestrina -- Missa ad imitationem moduli Puis que i'ay perdu. Benedictus ; Miss Pro defunctis. Benedictus / Lassus -- Missa Mille regretz. Benedictus / Morales -- Missa ad fugam. Agnus Dei / des Pres -- Missa Vulnerasti cor meum. Agnus Dei / MoralesEXAMPLES OF 4 VOICE COUNTERPOINT: Mass, De feria. Kyrie ; Mass, Dies sanctificatus. Kyrie ; Mass, Gabriel Archangelus. Hosanna ; Mass, Sine nomine. Sanctus ; Motet, Dies sanctificatus ; Hymn, In festo transfigurationis Domini ; Magnificat ; Mass, Sanctorum meritis. Agnus Dei / PalestrinaEXAMPLES OF 5 VOICE COUNTERPOINT: Mass, Sanctorum meritis. Agnus Dei II ; Petra sancta. Kyrie ; Mass, Vestiva i colli. Kyrie ; Mass, Vestiva i colli. Gloria ; Motet, alleluia tulerunt ; Hymn, In Dominicis quadragesima ; Offertory, Laudate Dominum ; Offertory, Improperium ; Offertory, Exaltabo te ; Litaniae de Beata Virgine Maria / PalestrinaMASSES (complete or in substantial part): Ad fugam / Palestrina -- L'homme arme / Palestrina -- Ut re mi fa sol la / Palestrina -- Repleatur os meum laude / Palestrina -- Sources, commentary, and translations

Examples of Gregorian chant and other sacred music of the sixteenth century