Bibliograph

Intertribal Native American music in the United States, experiencing music, expressing culture, John-Carlos Perea, San Francisco University

Type

Label

Intertribal Native American music in the United States, experiencing music, expressing culture, John-Carlos Perea, San Francisco University

Language

eng

Bibliography note

Includes bibliographical references and index

Illustrations

mapsillustrations

Index

index present

Literary Form

non fiction

Main title

Intertribal Native American music in the United States

Nature of contents

bibliography

Oclc number

816318171

Responsibility statement

John-Carlos Perea, San Francisco University

Series statement

Global music series

Sub title

experiencing music, expressing culture

Table Of Contents

Foreword -- Preface -- CD track list -- Music selections available on Ping -- Illustrations -- Maps -- Timeline of songs and events referenced in the text -- 1: Thinking about intertribal Native American music : Thinking about soundings ; Thinking about time: past, present, and future ; Thinking about intertribalism ; Thinking about names and terminology ; Introducing myself: where are you from? -- 2: Sounding communities: intertribal pow-wow music : Pow-wow origin stories ; Pow-wow space ; The role of a singer ; What's going on? : Gourd dance ; Grand entry ; Flag song ; Victory song for posting the colors ; Intertribal songs ; Contest songs ; Other social dance songs: round dance songs ; Honor songs -- Thinking about dancing: four reflections on pow-wow dancing : Michele Maas: women's jingle dress ; Eddie Madril: men's fancy and grass dance ; Rulan Tangen: women's buckskin dress ; Marcos Madril: men's Northern traditional -- Thinking about communities: attending a pow-wow -- 3: Sound revitalization: intertribal Native American flute music : Revisting names: which Native American flute? ; Thinking about revitalization ; Native American flute origin stories ; Native American flute performers : Doc Tate Nevaquaya ; Tom Mauchahty-Ware ; Kevin Locke ; R. Carlos Nakai ; Mary Youngblood -- 4: Sounding activism: Native American popular music and the occupation of Alcatraz Island : Thinking about alliances between music and activism ; Red power origin stories ; Native American popular musicians of the 1960s and 1970s : Peter La Farge ; Buffy Sainte-Marie ; Floyd Red Crow Westerman ; Redbone ; XIT -- 5: Sounding unexpectedness: Native American jazz musicians : A brief detour through Rhythm on the Reservation ; Unexpected origin stories: Native American musicians in the boarding school system ; Native American jazz musicians : Mildred Bailey ; Russell "Big Chief" Moore ; Oscar Pettiford ; Jim Pepper -- Thinking about unexpectedness -- Epilogue: the 2012 Grammy® category restructuring and future definitions of intertribal Native American musicCD track list. Elk soldier, "Hoka Hey" (excerpt) -- Porcupine singers, "Lakota National Anthem (flag song) and veterans' song" -- Kiowa dance group singers [Bill Koomsa Sr. (lead singer), Billy Hunting Horse, Wilbur Kodaseet, Bill Koomsa Jr., Lonnie Tsotaddle, Georgia Dupoint, Ann Koomsa, Martha Koomsa Perez, and Pearl Woodward], "Kiowa flag song" -- Black lodge singers, "straight intertribal" -- Young Bird, "Road warrior" -- Northern Cree, "Home of the warriors" -- Northern Cree, "Facebook drama" -- Ironwood singers, "Round dance" (excerpt) -- Ironwood singers, "Little Bighorn Victory Song" -- Doc Tate Nevaquaya, "Flute wind song intro" -- Doc Tate Nevaquaya, "Flute wind song" -- Tom Mauchahty-Ware, "Courting song" -- Kevin Locke, "The photograph" -- R. Carlos Nakai, "Shaman's call" -- R. Carlos Nakai, James DeMars, and the Canyon Symphony Orchestra, "Two world concerto: lake that speaks" -- Mary Youngblood "Beneath the raven moon"

Classification