Art Institute of Chicago
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(OCoLC)fst00528985
Label
Art Institute of Chicago
Name
Art Institute of Chicago
FAST ID
528985
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Incoming Resources
- Contributor of44
- Edward Hopper, Carol Troyen [and others]
- Gates of the Lord, The Tradition of Krishna Paintings, edited by Madhuvanti Ghose ; with essays by Amit Ambalal, Madhuvanti Ghose, Kalyan Krishna, Tryna Lyons, and Anita B. Shah ; and contributions by Emilia Bachrach
- The age of American Impressionism, masterpieces from the Art Institute of Chicago, edited by Judith A. Barter ; with contributions by Judith A. Barter [and others]
- The age of Picasso and Matisse, modern art at the Art Institute of Chicago, Stephanie D'Alessandro ; with contributions from Renée DeVoe Mertz
- Charles White, a retrospective, edited by Sarah Kelly Oehler and Esther Adler ; with essays by Esther Adler, Ilene Susan Fort, Kellie Jones, Sarah Kelly Oehler, Mark Pascale, and Deborah Willis ; and a preface by Kerry James Marshall
- Gauguin, artist as alchemist, edited by Gloria Groom ; with contributions by Gloria Groom, Dario Gamboni, Harriet K. Stratis, Ophélie Ferlier-Bouat, Claire Bernardi, Allison Perelman, Isabelle Cahn, Estelle Bégué, Nadège Horner, and Elsa Badie Modiri
- Light years, conceptual art and the photograph, 1964-1977, edited by Matthew S. Witkovsky ; with essays by Mark Godfrey, Robin Kelsey, Anne Rorimer, Allen Ruppersberg, Giuliano Sergio, Joshua Shannon, and Matthew S. Witkovsky
- Dada, Surrealism, and their heritage,, by William S. Rubin
- Chicago architecture and design, 1923-1993, reconfiguration of an American metropolis, edited by John Zukowsky ; with essays by Mark J. Bouman ... [et al.]
- American modernism at the Art Institute of Chicago, from World War I to 1955, Judith A. Barter [and others] ; with contributions by Jennifer M. Downs
- The Ancient Americas, art from sacred landscapes, Richard F. Townsend, general editor ; with essays by Anthony F. Aveni [and others]
- Manet and modern beauty, the artist's last years, edited by Scott Allan, Emily A. Beeny, and Gloria Groom ; essays by Scott Allan, Bridget Alsdorf, Carol Armstrong, Emily A. Beeny, Helen Burnham, Gloria Groom, Leah Lehmbeck, Devi Ormond and Catherine Schmidt Patterson, Samuel Rodary
- Andy Warhol, From A to B and Back Again, Donna De Salvo ; with essays by Jessica Beck [and eight others] ; and a conversation between Bill Horrigan and Bruce Jenkins
- John Singer Sargent and Chicago's Gilded Age, Annelise K. Madsen ; contributions by Richard Ormond and Mary Broadway
- Watercolors by Winslow Homer, the color of light, Martha Tedeschi with Kristi Dahm ; contributions by Judith Walsh and Karen Huang
- Old masters at the Art Institute of Chicago, edited by Larry J. Feinberg ; with contributions by Bruce Boucher [and others]
- Hero, hawk, and open hand, American Indian art of the ancient Midwest and South, Richard F. Townsend, general editor ; Robert V. Sharp, editor ; with essays and contributions by Garrick Bailey [and others]
- Georgia O'Keeffe,, by Lloyd Goodrich and Doris Bry
- Art and appetite, American painting, culture, and cuisine, edited by Judith A. Barter ; with essays by Judith A. Barter, Annelise K. Madsen, Sarah Kelly Oehler, and Ellen E. Roberts
- Julia Margaret Cameron's women, by Sylvia Wolf ; with contributions by Stephanie Lipscomb, Debra N. Mancoff, and Phyllis Rose
- Moholy-Nagy, future present, edited by Matthew S. Witkovsky, Carol S. Eliel, and Karole P.B. Vail ; With contributions by Julie Barten, Sylvie Pâenichon, and Carol Stringari, Stephanie D'Alessandro, Carol S. Eliel, Jennifer King, Olivier Lugon, Elizabeth Siegel, Karole P.B. Vail, and Matthew S. Witkovsky
- Degas, beyond impressionism, Richard Kendall
- Recasting the past, collecting and presenting antiquities at the Art Institute of Chicago, Karen Manchester ; with an essay by Karen B. Alexander
- Impressionism, fashion, & modernity, edited by Gloria Groom ; with contributions by Heidi Brevik-Zender [and others]
- Contemporary American realist drawings, the Jalane and Richard Davidson collection at the Art Institute of Chicago, by Ruth Fine, Raymond Hernández-Durán and Mark Pascale
- Ivan Albright, organized by Courtney Graham Donnell ; with contributions by Courtney Graham Donnell, Susan S. Weininger, and Robert Cozzolino ; edited by Susan F. Rossen
- America after the fall, painting in the 1930s, edited by Judith A. Barter ; with essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
- Magritte, the mystery of the ordinary, 1926-1938, edited by Anne Umland ; with essays by Stephanie D'Alessandro [and others]
- The essential guide, Art Institute Chicago ; foreword by Douglas Druick
- Hairy Who? 1966-1969, edited by Thea Liberty Nichols, Mark Pascale, and Ann Goldstein ; with contributions by Tyler Blackwell, Ann Goldstein, Richard Hull, Lydia Mullin, Thea Liberty Nichols, Laura Owens, Mark Pascale, and Antonia Pocock
- They seek a city, Chicago and the art of migration, 1910-1950, Sarah Kelly Oehler
- Claude Monet, 1840-1926, Charles F. Stuckey with the assistance of Sophia Shaw
- Van Gogh and Gauguin, the studio of the south, Douglas W. Druick and Peter Kort Zegers in collaboration with Britt Salvesen ; with contributions to the text by Kristin Hoermann Lister and the assistance of Mary C. Weaver
- Abelardo Morell, the universe next door, Elizabeth Siegel with Brett Abbott and Paul Martineau
- Jindřich Heisler, surrealism under pressure, 1938-1953, Jindřich Toman and Matthew S. Witkovsky
- Roy Lichtenstein, a retrospective, James Rondeau and Sheena Wagstaff ; with contributions by Clare Bell, Yve-Alain Bois, Iria Candela, Harry Cooper, Sara Doris, Chrissie Iles, James Lawrence, and Stephen Little
- Jasper Johns, gray, James Rondeau & Douglas Druick ; with contributions by Mark Pascale [and others] ; and an interview with the artist by Nan Rosenthal
- Beyond golden clouds, Japanese screens from the Art Institute of Chicago and the Saint Louis Art Museum, edited by Janice Katz ; essays by Philip K. Hu [and others] ; contributions by Fumiko E. Cranston [and others]
- Taken by design, photographs from the Institute of Design, 1937-1971, edited by David Travis and Elizabeth Siegel ; with essays by Keith F. Davis ... [et al.]
- Window on the west, Chicago and the art of the new frontier, 1890-1940, Judith A. Barter with contributions by Andrew J. Walker
- Holy cow and other animals, a selection of Indian paintings from the Art institute of Chicago, Pratapaditya Pal and Betty Seid
- Dawoud Bey, Harlem U.S.A., edited by Matthew S. Witkovsky ; with an essay by Sharifa Rhodes-Pitts
- Dreams & echoes, drawings and sculpture in the David and Celia Hilliard collection, edited by Suzanne Folds McCullagh ; with the assistance of Melissa L. Gustin
- Becoming Edvard Munch, influence, anxiety, and myth, Jay A. Clarke
- Creator of22
- The age of Picasso and Matisse, modern art at the Art Institute of Chicago, Stephanie D'Alessandro ; with contributions from Renée DeVoe Mertz
- Speaking of objects, African art at the Art Institute of Chicago, edited by Constantine Petridis ; with contributions by Martha G. Anderson [and seven others]
- Treasures from the Art Institute of Chicago, selected by James N. Wood, with commentaries by Debra N. Mancoff ; [edited by Laura J. Kozitka and Catherine A. Steinmann]
- The Art Institute of Chicago, twentieth-century painting and sculpture, selected by James N. Wood and Teri J. Edelstein
- Master paintings in the Art Institute of Chicago
- Miniature rooms, the Thorne Rooms at the Art Institute of Chicago
- American modernism at the Art Institute of Chicago, from World War I to 1955, Judith A. Barter [and others] ; with contributions by Jennifer M. Downs
- Asian art in the Art Institute of Chicago, Elinor L. Pearlstein and James T. Ulak ; with contributions by Naomi Noble Richard and Deborah Del Gais Muller ; preface by Yutaka Mino
- Ivan Albright;, a retrospective exhibition, organized by the Art Institute of Chicago in collaboration with the Whitney Museum of American Art. The Art Institute of Chicago: October 30-December 27, 1964; the Whitney Museum of American Art: February 3-March 21, 1965. Catalogue by Frederick A. Sweet with a commentary by Jean Dubuffet
- Master paintings in the Art Institute of Chicago, selected by James Cuno
- The essential guide, Art Institute Chicago ; foreword by Douglas Druick
- Impressionism and post-impressionism in the Art Institute of Chicago, selected by James N. Wood
- Indian art of the Americas at the Art Institute of Chicago, Richard Townsend ; with contributions by Elizabeth Pope
- American arts at the Art Institute of Chicago, from colonial times to World War I, Judith A. Barter, Kimberly Rhodes, and Seth A. Thayer, with contributions by Andrew Walker
- Northern European and Spanish paintings before 1600 in the Art Institute of Chicago, a catalogue of the collection, Martha Wolff, general editor ; Martha Wolff ... [et al.] ; with contributions by Ilse Hecht ... [et al.]
- Paintings at the Art Institute of Chicago, highlights of the collection, selected by James Rondeau
- The age of French impressionism, masterpieces from the Art Institute of Chicago, Gloria Groom and Douglas Druick ; with the assistance of Dorota Chudzicka and Jill Shaw
- The Neapolitan crèche at the Art Institute of Chicago, Sylvain Bellenger and Carmine Romano ; with an essay by Jesse Rosenberg and a preface by Riccardo Muti
- Master paintings in the Art Institute of Chicago, selected by James N. Wood and Katharine C. Lee
- John Marin's watercolors, a medium for modernism, Martha Tedeschi with Kristi Dahm ; with contributions by Ruth Fine and Charles Pietraszewski, and Christine Conniff-O'Shea
- The age of impressionism at the Art Institute of Chicago, Gloria Groom and Douglas Druick ; with the assistance of Dorota Chudzicka and Jill Shaw
- For kith and kin, the folk art collection at the Art Institute of Chicago, Judith A. Barter and Monica Obniski
- Focus of7
- Author of5
- Master paintings in the Art Institute of Chicago
- Indian art of the Americas at the Art Institute of Chicago, Richard Townsend ; with contributions by Elizabeth Pope
- The Neapolitan crèche at the Art Institute of Chicago, Sylvain Bellenger and Carmine Romano ; with an essay by Jesse Rosenberg and a preface by Riccardo Muti
- Master paintings in the Art Institute of Chicago, selected by James N. Wood and Katharine C. Lee
- Paintings at the Art Institute of Chicago, highlights of the collection, selected by James Rondeau
- inverse.hostinstitution9
- Gates of the Lord, The Tradition of Krishna Paintings, edited by Madhuvanti Ghose ; with essays by Amit Ambalal, Madhuvanti Ghose, Kalyan Krishna, Tryna Lyons, and Anita B. Shah ; and contributions by Emilia Bachrach
- Gauguin, artist as alchemist, edited by Gloria Groom ; with contributions by Gloria Groom, Dario Gamboni, Harriet K. Stratis, Ophélie Ferlier-Bouat, Claire Bernardi, Allison Perelman, Isabelle Cahn, Estelle Bégué, Nadège Horner, and Elsa Badie Modiri
- Manet and modern beauty, the artist's last years, edited by Scott Allan, Emily A. Beeny, and Gloria Groom ; essays by Scott Allan, Bridget Alsdorf, Carol Armstrong, Emily A. Beeny, Helen Burnham, Gloria Groom, Leah Lehmbeck, Devi Ormond and Catherine Schmidt Patterson, Samuel Rodary
- John Singer Sargent and Chicago's Gilded Age, Annelise K. Madsen ; contributions by Richard Ormond and Mary Broadway
- Andy Warhol, From A to B and Back Again, Donna De Salvo ; with essays by Jessica Beck [and eight others] ; and a conversation between Bill Horrigan and Bruce Jenkins
- The Ancient Americas, art from sacred landscapes, Richard F. Townsend, general editor ; with essays by Anthony F. Aveni [and others]
- Moholy-Nagy, future present, edited by Matthew S. Witkovsky, Carol S. Eliel, and Karole P.B. Vail ; With contributions by Julie Barten, Sylvie Pâenichon, and Carol Stringari, Stephanie D'Alessandro, Carol S. Eliel, Jennifer King, Olivier Lugon, Elizabeth Siegel, Karole P.B. Vail, and Matthew S. Witkovsky
- Hairy Who? 1966-1969, edited by Thea Liberty Nichols, Mark Pascale, and Ann Goldstein ; with contributions by Tyler Blackwell, Ann Goldstein, Richard Hull, Lydia Mullin, Thea Liberty Nichols, Laura Owens, Mark Pascale, and Antonia Pocock
- America after the fall, painting in the 1930s, edited by Judith A. Barter ; with essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
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- inverse.organizer8
- Charles White, a retrospective, edited by Sarah Kelly Oehler and Esther Adler ; with essays by Esther Adler, Ilene Susan Fort, Kellie Jones, Sarah Kelly Oehler, Mark Pascale, and Deborah Willis ; and a preface by Kerry James Marshall
- Gates of the Lord, The Tradition of Krishna Paintings, edited by Madhuvanti Ghose ; with essays by Amit Ambalal, Madhuvanti Ghose, Kalyan Krishna, Tryna Lyons, and Anita B. Shah ; and contributions by Emilia Bachrach
- Gauguin, artist as alchemist, edited by Gloria Groom ; with contributions by Gloria Groom, Dario Gamboni, Harriet K. Stratis, Ophélie Ferlier-Bouat, Claire Bernardi, Allison Perelman, Isabelle Cahn, Estelle Bégué, Nadège Horner, and Elsa Badie Modiri
- Manet and modern beauty, the artist's last years, edited by Scott Allan, Emily A. Beeny, and Gloria Groom ; essays by Scott Allan, Bridget Alsdorf, Carol Armstrong, Emily A. Beeny, Helen Burnham, Gloria Groom, Leah Lehmbeck, Devi Ormond and Catherine Schmidt Patterson, Samuel Rodary
- John Singer Sargent and Chicago's Gilded Age, Annelise K. Madsen ; contributions by Richard Ormond and Mary Broadway
- Moholy-Nagy, future present, edited by Matthew S. Witkovsky, Carol S. Eliel, and Karole P.B. Vail ; With contributions by Julie Barten, Sylvie Pâenichon, and Carol Stringari, Stephanie D'Alessandro, Carol S. Eliel, Jennifer King, Olivier Lugon, Elizabeth Siegel, Karole P.B. Vail, and Matthew S. Witkovsky
- America after the fall, painting in the 1930s, edited by Judith A. Barter ; with essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
- Hairy Who? 1966-1969, edited by Thea Liberty Nichols, Mark Pascale, and Ann Goldstein ; with contributions by Tyler Blackwell, Ann Goldstein, Richard Hull, Lydia Mullin, Thea Liberty Nichols, Laura Owens, Mark Pascale, and Antonia Pocock
- Publisher of1