Waubonsee Community College

The Cubalogues, Beat writers in revolutionary Havana, Todd F. Tietchen

Label
The Cubalogues, Beat writers in revolutionary Havana, Todd F. Tietchen
Language
eng
Bibliography note
Includes bibliographical references (pages 179-185) and index
Index
index present
Literary Form
non fiction
Main title
The Cubalogues
Nature of contents
bibliography
Oclc number
613426168
Responsibility statement
Todd F. Tietchen
Sub title
Beat writers in revolutionary Havana
Summary
"Immediately after the Cuban Revolution, Havana fostered an important transnational intellectual and cultural scene. Later, Castro would strictly impose his vision of Cuban culture on the populace and the United States would bar its citizens from traveling to the island, but for these few fleeting years the Cuban capital was steeped in many liberal and revolutionary ideologies and influencesSome of the most prominent figures in the Beat Movement, including Allen Ginsberg, Lawrence Ferlinghetti, and Amiri Baraka, were attracted to the new Cuba as a place where people would be racially equal, sexually free, and politically enfranchised. What they experienced had resounding and lasting literary effects both on their work and on the many writers and artists they encountered and fostered."--Pub. desc
Table Of Contents
Introduction: the "stranger relations" of Beat -- Hemispheric Beats (in the Bay Area and beyond) -- On the crisis of the underground and a politics of intractable plurality -- Unsettling the democratic score: music and urban insurgency -- Beat publics and the "middle-aged" Left -- (Back) towards a stranger democracy
Classification
Content
Mapped to