Waubonsee Community College

Music in the middle ages, with an introduction on the music of ancient times, by Gustave Reese

Label
Music in the middle ages, with an introduction on the music of ancient times, by Gustave Reese
Language
eng
Bibliography note
Includes bibliographical references (p. 425-463) and "Record list" (p. 465-479)
Illustrations
musicillustrationsfacsimilesplates
Index
no index present
Literary Form
non fiction
Main title
Music in the middle ages
Nature of contents
bibliography
Oclc number
398158
Responsibility statement
by Gustave Reese
Sub title
with an introduction on the music of ancient times
Table Of Contents
pt. 1. Introduction : the music of ancient times. Southwest Asia and Egypt -- Greece and Rome -- pt. 2. Western European monody to about 1300. The beginnings of Christian sacred chant and the growth of some of its chief branches : Syrian, Byzantine, Armenian, Coptic, and Ethiopian -- The growth of some of the chief branches of Christian chant--continued : Russian, Ambrosian, Mozarabic, and Gallican -- Gregorian chant : its history and notation -- Gregorian chant : its modal system and forms -- Secular monody : the Latin songs, the jongleurs, troubadours, and trouvères -- Secular monody continued : the early Minnesinger, the Laude and Geisslerlieder, English monody, Spanish monody -- pt. 3. Polyphony based on the perfect consonances and its displacement by polyphony based on the third. The earlier stages of organum -- The rise of measured music and the development of its notation to Franco of Cologne (c. 1280) -- The culmination of the continental organum and discant in the 12th and 13th centuries : the organa, conductus, early motet, cantilena; methods of performance; instruments ; The 14th century : French music, French and Italian notation -- The 14th century : Italian, Spanish and German music ; Musica falsa; Instruments -- Polyphony in the British Isles from the 12th century to the death of Dunstable
Classification
Content
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