Waubonsee Community College

And the show went on, cultural life in Nazi-occupied Paris, by Alan Riding

Label
And the show went on, cultural life in Nazi-occupied Paris, by Alan Riding
Language
eng
Bibliography note
Includes bibliographical references (pages 353-378) and index
Illustrations
illustrationsmapsplates
Index
index present
Literary Form
non fiction
Main title
And the show went on
Nature of contents
bibliography
Oclc number
503042137
Responsibility statement
by Alan Riding
Sub title
cultural life in Nazi-occupied Paris
Summary
Throughout this penetrating and unsettling account, Riding keeps alive the quandaries facing many of these artists. Were they "saving" French culture by working? Were they betraying France if they performed before German soldiers or made movies with Nazi approval? Was it the intellectual's duty to take up arms against the occupier? Then, after Paris was liberated, what was deserving punishment for artists who had committed "intelligence with the enemy"? By throwing light on this critical moment of twentieth-century European cultural history, And the Show Went On focuses anew on whether artists and writers have a special duty to show moral leadership in moments of national trauma. -- From publisher description
Table Of Contents
Everyone on stage -- Not so drole -- Shall we dance? -- L'américain -- Paris by night -- Resistance as an idea -- Maréchal, nous voilà! -- Vivace, ma non troppo -- A ripped canvas -- Distraction on screen -- Mirroring the past -- Writing for the enemy -- Chez Florence -- "On the side of life" -- The pendulum swings -- Vengeance and amnesia -- Surviving at a price
Classification
Genre
Content
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