Waubonsee Community College

Romantic music, a history of musical style in nineteenth-century Europe, Leon Plantinga

Label
Romantic music, a history of musical style in nineteenth-century Europe, Leon Plantinga
Language
eng
Bibliography note
Includes bibliographical references (pages 463-508) and index
Illustrations
musicillustrations
Index
index present
Literary Form
non fiction
Main title
Romantic music
Nature of contents
bibliography
Oclc number
10309380
Responsibility statement
Leon Plantinga
Series statement
The Norton introduction to music history
Sub title
a history of musical style in nineteenth-century Europe
Table Of Contents
Introduction. Historical background ; Music, patronage, and the public ; The composer's training ; Musical aesthetics ; Historicism in music ; "Romantic" -- Beethoven in Vienna, 1792-1808. Early stylistic growth: piano sonatas ; The String Quartet op. 18, no. 6 ; The Tempest Sonata, op. 31, no. 2 ; The Eroica Symphony ; Fidelio -- Beethoven: the late years, 1809-27. Formation of the late style ; The Diabelli Variations ; The Missa solemnis and the Ninth Symphony ; The late quartets ; Contemporary assessment -- Beethoven's contemporaries: instrumental music. Schubert ; Music for piano: Clementi, Dusík, and Field ; Czerny, Moscheles, Hummel ; Schubert's piano music -- The Lied: Schubert and his predecessors. The Berlin school ; Southern Germany and Vienna ; Schubert -- The rise of the nineteenth-century opera. Rossini ; Donizetti and Bellini ; Opera in France ; German romantic opera -- Paris from 1830-1848. Grand Opera ; The virtuosos ; Liszt ; Chopin ; French Romanticism ; Berlioz -- Schumann and his German contemporaries. Schumann ; Mendelssohn ; Other contemporaries -- Wagner and the music drama. The Ring of Nibelung ; Tristan and Isolde ; Die Meistersinger ; Later triumphs -- Italian and French opera in the later nineteenth century. Verdi ; Italian contemporaries and followers ; French opera of the later nineteenth century -- Nationalist music. Hungary ; Bohemia ; Tomášek and Smetana ; Dvořák ; Poland ; Russia ; Glinka and Dargomïzhsky ; "The Five" ; Musorgsky [Mussorgsky] ; Rimsky-Korsakov ; Tchaikovsky ; Scandinavia ; England ; Spain -- Crosscurrents in the late century. Liszt and the "New German School" ; Brahms ; Bruckner ; Leipzig ; Paris ; The century's end in Germany and Austria
Content
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