Bibliograph

The books that shaped art history, from Gombrich and Greenberg to Alpers and Krauss, edited by Richard Shone, John-Paul Stonard

Type

Label

The books that shaped art history, from Gombrich and Greenberg to Alpers and Krauss, edited by Richard Shone, John-Paul Stonard

Language

eng

Bibliography note

Includes bibliographical references (pages 216-257) and index

resource.biographical

contains biographical information

Illustrations

illustrationsportraits

Index

index present

Literary Form

non fiction

Main title

The books that shaped art history

Nature of contents

bibliography

Oclc number

820779537

Responsibility statement

edited by Richard Shone, John-Paul Stonard

Sub title

from Gombrich and Greenberg to Alpers and Krauss

Summary

"Which were the books that shaped art history as it developed in the twentieth century? This pioneering volume is a concise and brilliant study of the discipline of Art History and an invaluable resource for students, teachers, bibliophiles and all those interested in visual culture. It provides an invaluable roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter, focusing on a single title, is written by a leading art historian, curator or one of the promising scholars of today, presenting a varied and invaluable overview of the history of art, told through its seminal texts. The sixteen books include Nikolaus Pevsner's gospel of Modernism, Pioneers of the Modern Movement, Alfred Barr's now legendary monograph on Matisse, E.H. Gombrich's Art and Illusion, Clement Greenberg's Art and Culture, which had a seismic impact when it was published in 1961, and Rosalind Krauss's The Originality of the Avant-Garde and Other Modernist Myths, which introduced structuralist and poststructuralist thinking into art historical study. Each chapter - with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi - analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. An introduction by John-Paul Stonard explores how art history has been forged by these outstanding contributions, as well as by the dialogues and ruptures between them. Supplementary documentation summarises the achievements of each art historian and provides a detailed publication history of their texts, with suggestions for further reading."--Publisher's description

Classification

Contributor

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Subject