Waubonsee Community College

The visual blues, edited by Natalie A. Mault ; essays by R.A. Lawson, John Lowe, Natalie A. Mault, Margaret Rose Vendryes ; with artist biographies by Lauren Barnett and Natalie A. Mault

eng

Includes bibliographical references (pages 84-86)

illustrationsportraits

no index present

non fiction

The visual blues

catalogsbibliography

863077869

edited by Natalie A. Mault ; essays by R.A. Lawson, John Lowe, Natalie A. Mault, Margaret Rose Vendryes ; with artist biographies by Lauren Barnett and Natalie A. Mault

The visual blues explores the enormous impact that blues and jazz music emanating from the Deep South and moving north had on artists associated with the Harlem Renaissance. The Visual Blues shows how the artists and musicians of the Harlem Renaissance blurred artistic boundaries, drawing inspiration from each other and contributing to each other's art forms. The art scene in Harlem from 1919 to approximately 1940 encouraged a melding of art, music, literature, and poetry, providing a creative haven and outlet for transcending hardships and shattering racial stereotypes. The visual blues features a wide range of artists, some of whom already have established reputations and art markets, and others who are under-recognized and are rarely seen publicly. The visual blues comprises sixty-four paintings, drawings, prints, photographs, and sculptures by some of the most recognized and celebrated African-American artists of the Harlem Renaissance