Waubonsee Community College

The self-portrait, a cultural history, James Hall

Label
The self-portrait, a cultural history, James Hall
Language
eng
Bibliography note
Includes bibliographical references (page 283) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
The self-portrait
Nature of contents
bibliography
Oclc number
858843375
Responsibility statement
James Hall
Sub title
a cultural history
Summary
In this broad cultural survey, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists. His intelligent and vivid account shows how artists' depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval 'mirror craze'; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization. The full range of self-portraits is covered here, from comic and caricature self-portraits to 'invented' or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why - and when - artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.--Publisher
Table Of Contents
Medieval origins -- A craze for mirrors -- The artist in society -- The renaissance artist as hero -- Mock-heroic self-portraits -- The artist's studio -- At the crossroads -- Coming home : into the nineteenth century -- Sex and genius -- Beyond the face : modern and contemporary self-portraits
Classification
Content
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