Bibliograph

The ambivalent legacy of Elia Kazan, the politics of the post-HUAC films, Ron Briley

Type

Label

The ambivalent legacy of Elia Kazan, the politics of the post-HUAC films, Ron Briley

Language

eng

Bibliography note

Includes bibliographical references and index

Index

index present

Literary Form

non fiction

Main title

The ambivalent legacy of Elia Kazan

Nature of contents

bibliography

Oclc number

964878424

Responsibility statement

Ron Briley

Series statement

Film and history

Sub title

the politics of the post-HUAC films

Table Of Contents

Introduction: the post-HUAC testimony films -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976)

Classification