Waubonsee Community College

Italian Renaissance sculpture, Roberta J.M. Olson

Label
Italian Renaissance sculpture, Roberta J.M. Olson
Language
eng
Bibliography note
Includes bibliographical references (pages 213-214) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Italian Renaissance sculpture
Nature of contents
bibliography
Oclc number
25558588
Responsibility statement
Roberta J.M. Olson
Series statement
World of art
Summary
The sculptors of the Italian Renaissance transformed their Classical and regional heritage. From about 1260 to 1600, these masters introduced revolutionary innovations in freestanding figures and portraits, while on reliefs convincing perspective was rendered for the first time, predating its use in painting. The Renaissance notion of the artist as genius is vividly embodied in contemporary sculptors, from Nicola Pisano through Brunelleschi and Donatello to MichelangeloAnd Giambologna. Roberta Olson surveys the extraordinary artistic achievements of the period, which were to affect for ever after the practice of Western art
Table Of Contents
Introduction: Setting the Scene -- 1. The First Stage of the Renaissance -- 2. The Mature Renaissance: Beginning the Second Stage -- 3. The Spread of the Renaissance -- 4. Donatello: The Great Innovator -- 5. Sculpture in Mid-Fifteenth Century Florence -- 6. Embellishment: Late Quattrocento Florence -- 7. Renaissance Fever outside Florence, 1450-1500 -- 8. The High Renaissance -- 9. Michelangelo -- 10. The Sixteenth Century and the Legacy of Michelangelo
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