Coverart for item
The Resource When Sunday comes : gospel music in the soul and hip-hop eras, Claudrena N. Harold

When Sunday comes : gospel music in the soul and hip-hop eras, Claudrena N. Harold

Label
When Sunday comes : gospel music in the soul and hip-hop eras
Title
When Sunday comes
Title remainder
gospel music in the soul and hip-hop eras
Statement of responsibility
Claudrena N. Harold
Creator
Author
Subject
Language
eng
Summary
"Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves"--
Member of
Assigning source
Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorName
Harold, Claudrena N
Dewey number
782.25/409
Illustrations
illustrations
Index
index present
LC call number
ML3187
LC item number
.H34 2020
Literary form
non fiction
Nature of contents
bibliography
Series statement
Music in American life
http://library.link/vocab/subjectName
  • Gospel music
  • African Americans
Label
When Sunday comes : gospel music in the soul and hip-hop eras, Claudrena N. Harold
Instantiates
Publication
Note
Source of cataloging data: WCP
Bibliography note
Includes bibliographical references (pages 215-245) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music
Control code
on1142509336
Dimensions
24 cm.
Extent
x, 251 pages
Isbn
9780252043574
Lccn
2020020770
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(OCoLC)1142509336
Label
When Sunday comes : gospel music in the soul and hip-hop eras, Claudrena N. Harold
Publication
Note
Source of cataloging data: WCP
Bibliography note
Includes bibliographical references (pages 215-245) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland -- A Special Kind of Witness : Andraé Crouch, the Growth of Contemporary Christian Music, and the Politics of Race -- Hold My Mule : Shirley Caesar and the Gospel of the New South -- A Wonderful Change : Walter Hawkins and the Love Alive Explosion -- Higher Plane : The Gospel According to Al Green -- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s -- If I Be Lifted : Milton Brunson and the Thompson Community Singers -- Through It All : Vanessa Bell Armstrong and the Perils of Crossover -- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans -- Outside the County Line : The Southern Soul of John P. Kee -- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic -- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music
Control code
on1142509336
Dimensions
24 cm.
Extent
x, 251 pages
Isbn
9780252043574
Lccn
2020020770
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(OCoLC)1142509336

Library Locations

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      Collins Hall 2nd Floor Waubonsee Community College Route 47 at Waubonsee Drive, Sugar Grove, IL, 60554-9454, US
      41.7974000 -88.45785
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