Coverart for item
The Resource This is not a remix : piracy, authenticity and popular music, Margie Borschke

This is not a remix : piracy, authenticity and popular music, Margie Borschke

Label
This is not a remix : piracy, authenticity and popular music
Title
This is not a remix
Title remainder
piracy, authenticity and popular music
Statement of responsibility
Margie Borschke
Creator
Author
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Borschke, Margie
Dewey number
781.64
Index
index present
LC call number
ML3918.P67
LC item number
B69 2017
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Remixes
  • Sound recordings
  • Popular music
  • Music and the Internet
Label
This is not a remix : piracy, authenticity and popular music, Margie Borschke
Instantiates
Publication
Copyright
Note
Source of cataloging data: WCP
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 2.1.
  • The ghost in the digital machine
  • 2.2.
  • The trouble with media history
  • 2.3.
  • "Again, back": Repetition and music's materiality
  • 3.
  • The rhetoric of remix
  • 3.1.
  • Remix as trope
  • 1.
  • 3.2.
  • The extended remix: In the press
  • 3.3.
  • The extended remix: Scholarly use
  • 3.4.
  • Lawrence Lessig's "Remix Culture"
  • 3.5.
  • Remix as resistance
  • 3.6.
  • Why the history of remix matters
  • This is not a remix
  • 4.
  • Disco edits: Analog antecedents and network bias
  • 4.1.
  • What a difference a record makes
  • 4.2.
  • Interrupting the rhetoric of remix
  • 4.3.
  • Disco edits, a technical distinction
  • 4.4.
  • Hang the DJ
  • 1.1.
  • 4.5.
  • Walter Gibbons, the break, and the edits that made disco
  • 4.6.
  • Let your body talk
  • 4.7.
  • Are samples copies?
  • 4.8.
  • Parasites, pirates, and permission
  • 4.9.
  • Digital revival and an analog persistence
  • Introduction
  • 4.10.
  • Credit to the edit
  • 5.
  • The new romantics
  • 5.1.
  • Piracy's long history
  • 5.2.
  • MP3 blogs as social media
  • 5.3.
  • Material media: MP3 blogs as artifacts and practices
  • 1.2.
  • 5.4.
  • Provenance as metadata
  • 5.5.
  • Rethinking participation and the folk aesthetic
  • 5.6.
  • Countercultures and anticommercialism
  • 5.7.
  • Networking authenticity
  • 5.8.
  • Analog antecedents: Harry Smith's mystical collection
  • Critical approach
  • 5.9.
  • Copies, networks, and a poetics of encounter
  • 6.
  • Copies and the aesthetics of circulation
  • 2.
  • Copy, a brief history
Control code
ocn958780103
Dimensions
24 cm
Extent
vi, 186 pages
Isbn
9781501318917
Lccn
2017003346
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other control number
99973454095
Stock number
13168904
System control number
  • (Sirsi) i9781501318917
  • (OCoLC)958780103
Label
This is not a remix : piracy, authenticity and popular music, Margie Borschke
Publication
Copyright
Note
Source of cataloging data: WCP
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • 2.1.
  • The ghost in the digital machine
  • 2.2.
  • The trouble with media history
  • 2.3.
  • "Again, back": Repetition and music's materiality
  • 3.
  • The rhetoric of remix
  • 3.1.
  • Remix as trope
  • 1.
  • 3.2.
  • The extended remix: In the press
  • 3.3.
  • The extended remix: Scholarly use
  • 3.4.
  • Lawrence Lessig's "Remix Culture"
  • 3.5.
  • Remix as resistance
  • 3.6.
  • Why the history of remix matters
  • This is not a remix
  • 4.
  • Disco edits: Analog antecedents and network bias
  • 4.1.
  • What a difference a record makes
  • 4.2.
  • Interrupting the rhetoric of remix
  • 4.3.
  • Disco edits, a technical distinction
  • 4.4.
  • Hang the DJ
  • 1.1.
  • 4.5.
  • Walter Gibbons, the break, and the edits that made disco
  • 4.6.
  • Let your body talk
  • 4.7.
  • Are samples copies?
  • 4.8.
  • Parasites, pirates, and permission
  • 4.9.
  • Digital revival and an analog persistence
  • Introduction
  • 4.10.
  • Credit to the edit
  • 5.
  • The new romantics
  • 5.1.
  • Piracy's long history
  • 5.2.
  • MP3 blogs as social media
  • 5.3.
  • Material media: MP3 blogs as artifacts and practices
  • 1.2.
  • 5.4.
  • Provenance as metadata
  • 5.5.
  • Rethinking participation and the folk aesthetic
  • 5.6.
  • Countercultures and anticommercialism
  • 5.7.
  • Networking authenticity
  • 5.8.
  • Analog antecedents: Harry Smith's mystical collection
  • Critical approach
  • 5.9.
  • Copies, networks, and a poetics of encounter
  • 6.
  • Copies and the aesthetics of circulation
  • 2.
  • Copy, a brief history
Control code
ocn958780103
Dimensions
24 cm
Extent
vi, 186 pages
Isbn
9781501318917
Lccn
2017003346
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other control number
99973454095
Stock number
13168904
System control number
  • (Sirsi) i9781501318917
  • (OCoLC)958780103

Library Locations

    • Waubonsee: Aurora Downtown CampusBorrow it
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      Collins Hall 2nd Floor Waubonsee Community College Route 47 at Waubonsee Drive, Sugar Grove, IL, 60554-9454, US
      41.7974000 -88.45785
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