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The Resource The documentary film book, edited by Brian Winston

The documentary film book, edited by Brian Winston

Label
The documentary film book
Title
The documentary film book
Statement of responsibility
edited by Brian Winston
Contributor
Editor
Subject
Genre
Language
eng
Summary
This major new collection, edited by the leading British authority in the field, provides a broad and thorough introduction to documentary cinema. Contributions from leading international scholars address the history and nature of documentary, debates about truth and ethics, and documentary cinema in different national contexts and genres
Cataloging source
ERASA
Dewey number
070.1/8
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.D6
LC item number
D56 2013
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Winston, Brian
  • British Film Institute
http://library.link/vocab/subjectName
  • Documentary films
  • Documentary films
  • Documentary films
  • Documentary films
  • Dokumentarfilm
  • Films documentaires
Label
The documentary film book, edited by Brian Winston
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The question of evidence, the power of rhetoric and documentary film
  • Bill Nichols
  • 'I'll believe it when I trust the source' : documentary images and visual evidence
  • Carl Plantinga
  • The performing film-maker and the acting subject
  • Stella Bruzzi
  • On truth, objectivity and partisanship : the case of Michael Moore
  • Douglas Kellner
  • CGI and the end of photography as evidence
  • Taylor Downing
  • Foreword:
  • Drawn from life : the animated documentary
  • Andy Glynne
  • Dramadoc? docudrama? : the limits and protocols of a televisual form
  • Derek Paget
  • Ambiguous audiences
  • Annette Hill
  • Life as narrativised
  • Brian Winston -- 'The dance of documentary ethics'
  • Pratap Rughani
  • Deaths, transfigurations and the future
  • Why documentaries matter
  • John Corner
  • / Nick Fraser
  • Introduction :
  • The filmed documentary
  • Brian Winston
  • Part 1.
  • Documentary values :
  • Grierson's legacies : Australia and New Zealand
  • Deane Williams
  • New Deal documentary and the North Atlantic welfare state
  • Zoë Druick and Jonathan Kahana
  • The triumph of observationalism : direct cinema in the USA
  • Dave Saunders
  • Soviet and Russian documentary: from Vertov to Sokurov
  • Ian Christie
  • The radical tradition in documentary film-making, 1920s-50s
  • Bert Hogenkamp
  • Part 2.
  • Le groupe des Trente : the poetic tradition
  • Elena Von Kassel Siambani
  • Cinéma vérité : Vertov revisited
  • Geneviève Van Cauwenberge
  • Beyond sobriety : documentary diversions
  • Craig Hight
  • Documentary paradigms :
  • Problems in historiography : the documentary tradition before Nanook of the North
  • Charles Musser
  • John Grierson and the documentary film movement
  • Ian Aitken
  • Challenges for change : Canada's National Film Board
  • Thomas Waugh and Ezra Winton
  • 'Roadblock' films, 'children's resistance' films and 'blood relations' films : Israeli and Palestinian documentary post-Intifada II
  • Raya Morag
  • Sacred, mundane and absurd revelations of the everyday : poetic vérité in the Eastern European tradition
  • Susanna Helke
  • Part 3.
  • Documentary horizons :
  • Eastwards
  • Abé Mark Nornes
  • Mapping Africa
  • N. Frank Ukadike
  • Images from the south : contemporary documentary in Argentina and Brazil
  • Ana Amado and Maria Dora Mourão
  • Documentary identity
  • Christopher Pullen
  • Docusoaps : the ordinary voice as popular entertainment
  • Richard Kilborn -- Reality TV : a sign of the times?
  • Anita Biressi and Heather Nunn
  • Part 4.
  • Documentary voices :
  • First-person political
  • Alisa Lebow
  • Feminist documentaries : finding, seeing and using them
  • Julia Lesage
  • Pioneers of Black documentary film
  • Pearl Bowser
  • Music, documentary, music documentary
  • Michael Chanan
  • Art, documentary as art
  • Michael Renov
  • Part 5.
  • Documentary disciplines :
  • Anthropology : the evolution of ethnographic film
  • Paul Henley
  • Science, society and documentary
  • Tim Boon
  • History documentaries for television
  • Ann Gray
  • Afterword:
  • 'What must we film now?'
  • Brian Winston
  • Part 6.
  • Documentary futures :
  • Documentary as open space
  • Helen de Michiel and Patricia R. Zimmermann
  • 'This great mapping of ourselves' : new documentary forms online
  • John Dovey and Mandy Rose
  • New platforms for docmedia : 'varient of a manifesto'
  • Peter Wintonick
Control code
ocn858804873
Dimensions
26 cm
Extent
xv, 400 pages
Isbn
9781844573417
Lccn
2013404106
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (Sirsi) i9781844573417
  • (OCoLC)858804873
Label
The documentary film book, edited by Brian Winston
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The question of evidence, the power of rhetoric and documentary film
  • Bill Nichols
  • 'I'll believe it when I trust the source' : documentary images and visual evidence
  • Carl Plantinga
  • The performing film-maker and the acting subject
  • Stella Bruzzi
  • On truth, objectivity and partisanship : the case of Michael Moore
  • Douglas Kellner
  • CGI and the end of photography as evidence
  • Taylor Downing
  • Foreword:
  • Drawn from life : the animated documentary
  • Andy Glynne
  • Dramadoc? docudrama? : the limits and protocols of a televisual form
  • Derek Paget
  • Ambiguous audiences
  • Annette Hill
  • Life as narrativised
  • Brian Winston -- 'The dance of documentary ethics'
  • Pratap Rughani
  • Deaths, transfigurations and the future
  • Why documentaries matter
  • John Corner
  • / Nick Fraser
  • Introduction :
  • The filmed documentary
  • Brian Winston
  • Part 1.
  • Documentary values :
  • Grierson's legacies : Australia and New Zealand
  • Deane Williams
  • New Deal documentary and the North Atlantic welfare state
  • Zoë Druick and Jonathan Kahana
  • The triumph of observationalism : direct cinema in the USA
  • Dave Saunders
  • Soviet and Russian documentary: from Vertov to Sokurov
  • Ian Christie
  • The radical tradition in documentary film-making, 1920s-50s
  • Bert Hogenkamp
  • Part 2.
  • Le groupe des Trente : the poetic tradition
  • Elena Von Kassel Siambani
  • Cinéma vérité : Vertov revisited
  • Geneviève Van Cauwenberge
  • Beyond sobriety : documentary diversions
  • Craig Hight
  • Documentary paradigms :
  • Problems in historiography : the documentary tradition before Nanook of the North
  • Charles Musser
  • John Grierson and the documentary film movement
  • Ian Aitken
  • Challenges for change : Canada's National Film Board
  • Thomas Waugh and Ezra Winton
  • 'Roadblock' films, 'children's resistance' films and 'blood relations' films : Israeli and Palestinian documentary post-Intifada II
  • Raya Morag
  • Sacred, mundane and absurd revelations of the everyday : poetic vérité in the Eastern European tradition
  • Susanna Helke
  • Part 3.
  • Documentary horizons :
  • Eastwards
  • Abé Mark Nornes
  • Mapping Africa
  • N. Frank Ukadike
  • Images from the south : contemporary documentary in Argentina and Brazil
  • Ana Amado and Maria Dora Mourão
  • Documentary identity
  • Christopher Pullen
  • Docusoaps : the ordinary voice as popular entertainment
  • Richard Kilborn -- Reality TV : a sign of the times?
  • Anita Biressi and Heather Nunn
  • Part 4.
  • Documentary voices :
  • First-person political
  • Alisa Lebow
  • Feminist documentaries : finding, seeing and using them
  • Julia Lesage
  • Pioneers of Black documentary film
  • Pearl Bowser
  • Music, documentary, music documentary
  • Michael Chanan
  • Art, documentary as art
  • Michael Renov
  • Part 5.
  • Documentary disciplines :
  • Anthropology : the evolution of ethnographic film
  • Paul Henley
  • Science, society and documentary
  • Tim Boon
  • History documentaries for television
  • Ann Gray
  • Afterword:
  • 'What must we film now?'
  • Brian Winston
  • Part 6.
  • Documentary futures :
  • Documentary as open space
  • Helen de Michiel and Patricia R. Zimmermann
  • 'This great mapping of ourselves' : new documentary forms online
  • John Dovey and Mandy Rose
  • New platforms for docmedia : 'varient of a manifesto'
  • Peter Wintonick
Control code
ocn858804873
Dimensions
26 cm
Extent
xv, 400 pages
Isbn
9781844573417
Lccn
2013404106
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
  • (Sirsi) i9781844573417
  • (OCoLC)858804873

Library Locations

    • Waubonsee: Sugar Grove Campus - Todd LibraryBorrow it
      Collins Hall 2nd Floor Waubonsee Community College Route 47 at Waubonsee Drive, Sugar Grove, IL, 60554-9454, US
      41.7974 -88.45785
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