Coverart for item
The Resource 100 ideas that changed photography, Mary Warner Marien

100 ideas that changed photography, Mary Warner Marien

Label
100 ideas that changed photography
Title
100 ideas that changed photography
Statement of responsibility
Mary Warner Marien
Title variation
One hundred ideas that changed photography
Creator
Subject
Genre
Language
eng
Summary
This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into
Member of
Cataloging source
YDXCP
http://library.link/vocab/creatorName
Marien, Mary Warner
Dewey number
770.9
Illustrations
illustrations
Index
index present
LC call number
TR15
LC item number
.M27 2012
Literary form
non fiction
Nature of contents
bibliography
Series statement
100 Ideas
http://library.link/vocab/subjectName
  • Photography
  • Photography
  • Photography
  • Photography
  • Fotografie
  • Technik
  • Fotografi
  • Photography
  • Photography
Label
100 ideas that changed photography, Mary Warner Marien
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 210-211) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
The camera obscura -- The latent image -- Direct positive images -- Negative/postive -- The daguerreotype -- Exploration -- The calotype -- The nude -- The lens -- The shutter -- Aesthetics -- The cyanotype -- Collodion -- Cropping -- The darkroom -- Painting the picture -- The stereoscope -- The view -- War -- Moving pictures -- Enlargement -- Supports -- Color -- Photo-sculpture -- Moralizing -- The Academie -- Cartes de visite -- The gum bichromate process -- Platinum prints -- Pinhole cameras -- Likeness -- The tintype -- Evidence -- Evolution -- Albumen paper -- Narrative -- Backgrounds -- Leisure travel -- Photographic societies -- Photo-sharing -- Gelatin silver prints -- Small cameras -- Tabloids -- The autochrome -- Postcards -- Projection -- Artificial light -- Focus -- Stopping time -- Halftone -- Roll film -- Sequences -- Image factories -- Aerial photography -- Macro/micro -- The people's art -- The Photo-secession -- Equivalents -- Collecting -- Pictures that sell -- Photographic agencies -- The SLR -- The decisive moment -- Multiple exposures -- Photo booths -- Photojournalism -- Abstraction -- Straight photography -- Cameras for kids -- Solarization -- Sporting scenes -- Image objects -- Film und foto -- The photogram -- Cut-and-paste -- Fashion -- Self-portrait -- Glamour -- Documentary expression -- The outsider -- The street -- Invisible light -- The surreal -- The Polaroid -- Kodachrome -- Television -- New topographics -- Photo-realism -- Outskirts and enclaves -- The snapshot aesthetic -- The theoretical turn -- Camera phones -- Fabricated to be photographed -- Concrete photography -- Photo-conceptualism -- The photographer's eye -- Appropriation -- Photo/video -- Digital photography -- GIS
Control code
ocn772692257
Dimensions
27 cm.
Extent
216 pages
Isbn
9781856697965
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
  • (Sirsi) i9781856697965
  • (OCoLC)772692257
Label
100 ideas that changed photography, Mary Warner Marien
Publication
Bibliography note
Includes bibliographical references (pages 210-211) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
The camera obscura -- The latent image -- Direct positive images -- Negative/postive -- The daguerreotype -- Exploration -- The calotype -- The nude -- The lens -- The shutter -- Aesthetics -- The cyanotype -- Collodion -- Cropping -- The darkroom -- Painting the picture -- The stereoscope -- The view -- War -- Moving pictures -- Enlargement -- Supports -- Color -- Photo-sculpture -- Moralizing -- The Academie -- Cartes de visite -- The gum bichromate process -- Platinum prints -- Pinhole cameras -- Likeness -- The tintype -- Evidence -- Evolution -- Albumen paper -- Narrative -- Backgrounds -- Leisure travel -- Photographic societies -- Photo-sharing -- Gelatin silver prints -- Small cameras -- Tabloids -- The autochrome -- Postcards -- Projection -- Artificial light -- Focus -- Stopping time -- Halftone -- Roll film -- Sequences -- Image factories -- Aerial photography -- Macro/micro -- The people's art -- The Photo-secession -- Equivalents -- Collecting -- Pictures that sell -- Photographic agencies -- The SLR -- The decisive moment -- Multiple exposures -- Photo booths -- Photojournalism -- Abstraction -- Straight photography -- Cameras for kids -- Solarization -- Sporting scenes -- Image objects -- Film und foto -- The photogram -- Cut-and-paste -- Fashion -- Self-portrait -- Glamour -- Documentary expression -- The outsider -- The street -- Invisible light -- The surreal -- The Polaroid -- Kodachrome -- Television -- New topographics -- Photo-realism -- Outskirts and enclaves -- The snapshot aesthetic -- The theoretical turn -- Camera phones -- Fabricated to be photographed -- Concrete photography -- Photo-conceptualism -- The photographer's eye -- Appropriation -- Photo/video -- Digital photography -- GIS
Control code
ocn772692257
Dimensions
27 cm.
Extent
216 pages
Isbn
9781856697965
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
  • (Sirsi) i9781856697965
  • (OCoLC)772692257

Library Locations

    • Waubonsee: Sugar Grove Campus - Todd LibraryBorrow it
      Collins Hall 2nd Floor Waubonsee Community College Route 47 at Waubonsee Drive, Sugar Grove, IL, 60554-9454, US
      41.7974 -88.45785
Processing Feedback ...